Baharan Lahib

Jowzjan — For Ziba Sharaf, art has become more than just a hobby; it is a means of survival, learning, and planting hope in the hearts of those around her. Between the weight of an ancient history and the shadows of current restrictions, Ziba Sharaf’s story takes shape as a symbol of resistance and determination, where past and present meet to give her journey a deeper human meaning.

In northern Afghanistan, where the land stretches wide and trade routes intersect, lies Jowzjan Province with its center in the city of Sheberghan. This province is not merely a geographic space, but a living memory of history and culture, and home to a dense population that has made it a vibrant heart of the north.

The society forms a rich mosaic of linguistic and cultural diversity, where Dari blends with Uzbek, and traditions are preserved through a spirit of hospitality. In this context, the experience of Ziba Sharaf emerged—a young woman who established a small art gallery in Jowzjan, offering through it a space of warmth and creativity. Uzbek culture here is not just a heritage, but a daily way of life reflected in the “Attan” dance, folk music, and the arts that shape the identity of the place. Despite restrictions, women continue to participate in arts and social life, carrying a legacy of resilience and a persistent pursuit of a better future.

Her space has become a platform for education and creativity, opening a window of hope and self-expression for girls.

Ziba Sharaf is considered one of the most talented and active young women in her community. Despite the many restrictions, she managed to turn part of her home into a small art gallery, keeping her passion for painting, fashion design, and handicrafts alive amid difficult circumstances.

Her artistic journey began with drawing for herself, but after some of her works spread through local social media networks, requests poured in from girls who wanted to learn. With limited resources, she dedicated a small room in her house as an artistic space and organized a regular class to teach drawing to five young women.

She said: “Jowzjan is a province full of talent, but the opportunities available for girls are very limited. I did not want girls to wait many years to have an educational environment like I did, so I created my own gallery. Our space may be small, but our dreams are big. My goal is not only to teach, but for girls to feel their value and their abilities.”

Speaking about the challenges she faces, she explained: “The biggest problems are restrictions and lack of resources. The prices of art supplies have increased, and we do not have access to major markets. Some families did not initially allow their daughters to participate, but when they saw their artwork, their attitude changed.”

Ziba Sharaf aspires in the future to establish a larger gallery to exhibit the works of women artists from Jowzjan. “Our girls have talents, but they need an opportunity. I truly believe that the art of Jowzjan will one day be recognized at the local level, and I am confident that this day will come when girls can freely participate in courses, exhibitions, and artistic activities.